7/14/2023 0 Comments Dsp quattro mastering![]() OTHER TRADEMARKS AND COPYRIGHTS: - D-SoundPRO is Copyright 1998 by Stefano Daino. BECAUSE SOME STATES DO NOT ALLOW THE EXCLUSION OR LIMITATION OF LIABILITY FOR CONSEQUENTIAL OR INCIDENTAL DAMAGES OR THE LIMITATIONS OF DURATION OF IMPLIED WARRANTY, THE ABOVE LIMITATIONS MAY NOT APPLY TO YOU. NEITHER THE AUTHOR NOR ANYONE ELSE WHO HAS BEEN INVOLVED WITH THE CREATION, PRODUCTION, OR DELIVERY OF THE SOFTWARE SHALL BE LIABLE FOR ANY DIRECT, INDIRECT, CONSEQUENTIAL, OR INCIDENTAL DAMAGES (INCLUDING DAMAGES FOR LOSS OF BUSINESS PROFITS, BUSINESS INTERRUPTION, LOSS OF BUSINESS INFORMATION, AND THE LIKE) ARISING OUT OF THE USE OR THE INABILITY TO USE THE SOFTWARE EVEN IF THE AUTHOR HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. YOU MAY HAVE OTHER RIGHTS, WHICH VARY FROM STATE TO STATE. THIS WARRANTY GIVES YOU SPECIFIC LEGAL RIGHTS. NO ORAL OR WRITTEN INFORMATION OR ADVICE GIVEN BY THE AUTHOR, ITS DEALERS, DISTRIBUTORS, AGENTS, OR EMPLOYEES SHALL CREATE A WARRANTY OR IN ANY WAY INCREASE THE SCOPE OF THIS WARRANTY, AND YOU MAY NOT RELY ON SUCH INFORMATION OR ADVICE. THE ABOVE ARE THE ONLY WARRANTIES OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE THAT ARE MADE BY STEFANO DAINO ON DSP-QUATTRO PRODUCT. FURTHER STEFANO DAINO DOES NOT WARRANT, OR MAKE ANY REPRESENTATIONS REGARDING THE USE, OR THE RESULTS OF THE USE, OF THE SOFTWARE OR WRITTEN MATERIALS IN TERMS OF CORRECTNESS, ACCURACY, RELIABILITY, CURRENTNESS, OR OTHERWISE. THE SOFTWARE AND ACCOMPANYING ELECTRONIC AND WRITTEN MATERIALS (INCLUDING INSTRUCTIONS FOR USE) ARE PROVIDED "AS IS" WITHOUT WARRANTY OF ANY KIND. DISCLAIMER OF WARRANTY AND LIMITED WARRANTY. ![]() You may not modify, adapt, translate, reverse engineer, decompile, or disassemble the SOFTWARE. You may not rent, lease, sell or transfer the SOFTWARE to other persons. You may not copy the written materials accompanying the software. a book or musical recording) except that you may either (a) make one copy of the SOFTWARE solely for backup or archival purposes, or (b) transfer the SOFTWARE to a single hard disk provided you keep the original solely for backup or archival purposes. Therefore, you must treat the SOFTWARE like any other copyrighted material (e.g. The SOFTWARE is owned by Stefano Daino, via Del Cancellone 21, MARINO - ROME - ITALY, and is protected by Italian copyright laws and international treaty provisions. You may not network the SOFTWARE or otherwise use it or make it available for use on more than one computer at the same time. As registered user, the author grants to you the right to use one copy of the enclosed software program (the "SOFTWARE"). If it were (freely) available for Macs, I'd have already checked it out.1 Release 4.0 April 2012 Written by Stefano Daino Copyright by Stefano Daino iĢ GRANT OF LICENSE. Wavelab appears to have a simple interface and keeps the focus on the two-track file you're editing. That's why I hate editing masters in a DAW, because it's overkill. I think I know why everybody likes Wavelab, because it's designed to edit and master two-track audio and that's it. Amadeus Pro seems like the clear successor to Wave Editor, but it still doesn't seem to preview plugs in real time, which makes tweaking them before rendering impossible. ![]() I can still use Wave Editor, but it only uses 32-bit plugs and seems to have some hiccups with El Capitan. Unfortunately, Wave Editor became "Triumph", and I still can't figure it out properly. Since OS X phased Peak out, I switched to Audiofile Engineering's Wave Editor, which was the closest thing to Peak in terms of features and functionality. ![]() I started using BIAS Peak back in the late Nineties and I loved that program for two-track editing and mastering on the Mac. ![]()
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